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Movement Matters

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Movement Matters

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indie publishing

Happy birthday, Movement Matters!

November 28, 2017 ·

It’s not often we mark the anniversary of the publication dates of our books, but Movement Matters stands out for me. It feels like more than a book. It’s trite, I guess, to say it’s not just a book, it’s a way of life…but then, it kind of is a way of life, isn’t it?

From the launch party last fall (entirely unlike any book launch party I’ve ever been to—and as a writer/editor/journalist/publishing person, I’ve been to lots) at which humans and cows hung out together on a beautiful, holistically managed ranch, pitching it to help prepare locally grown and foraged foods and sharing a meal around long tables in a field as the sun set over the Pacific Ocean, to the feedback we’ve heard from readers about the changes they’ve made to render their lives a little less convenient and a little more movement-rich, Movement Matters is the kind of book that easily invites you to take what’s between its covers out for a spin in the world. And that spin has a way of changing the world. Again, it feels like we are creeping dangerously close to the kind of breezy inspirational talk you might find on a motivational poster featuring a couple of unlikely animals cuddled up together, say, a fox and a duck. But really, in order for the world to change, all that has to change is one person. Or the way one person approaches one aspect of their life. Like using a hand-grinder to grind coffee beans. Or doing the back to school shopping at a second hand store. Or walking to the post office instead of driving. Game changers, all three. And absolutely achievable by just about anyone—if not those specific acts, then others just like them.

So, yeah, here I am wishing a book Happy Birthday. If you haven’t had a chance to acquaint yourself with Movement Matters, there is no time like the present. It’s available in three formats—paperback, ebook, and audiobook. And Katy Bowman and I have had a number of chats about it on the Katy Says podcast series called Between the Lines, in which we discussed in detail all the books she’s written, so if you learn better by listening to a couple of nerds talk about books, you should check them out. You can get a look at the launch party here—it’s the next best thing to being there! And we’d love to hear what you think of the book—which, by the way, is a gold medal winner of Best Essays of the Year at the Foreword Indies, how could I have neglected to mention that till now! How have you changed the world in the last year? Drop us a line in the comments and let us know!

Introducing Doniga Markegard

May 29, 2017 ·

This fall we’ll publish Dawn Again: Tracking the Wisdom of the Wild, by Doniga Markegard. We’re excited about this book (Starhawk is writing the foreword!!), a memoir that traces Doniga’s life from the time she was a teenager seeking direction and meaning, through her time at the Wilderness Awareness School in the Pacific Northwest, from her studies with Lakota elder Gilbert Tatanka Mani, to tracking mountain lions along California’s rugged coast, to falling in love with a rancher named Erik and starting a life and a family with him. Doniga’s understanding of the natural world, and the lessons it holds for all of us make this memoir a must-read for anyone longing for a deeper connection with nature. When you order Dawn Again through our pre-sale, you get access to a thirty-minute long audio file called Tracking for Beginners, in which Doniga offers tips and advice so you can get started right now, no matter where you are. 

We had a chance to ask Doniga some questions about Dawn Again. Here’s our conversation:

When you think back to where you were in your life when you began learning to track, what kind of road might you have followed if tracking and wilderness studies had not presented itself as an option?

That is an interesting question. I discovered tracking when I was searching for meaning in my life and a direction where I could feel part of the solution to some of the destructive things I saw happening around me. As a child I would often ride my horse on logging roads and witness an entire hillside clearcut. When I began traveling the county and seeing crop dusters spraying chemicals on long rows of monocrops I became further disillusioned. I had grown up close to nature and the beauty of rivers and trees. It was not until I began tracking that I connected the pleasures I felt or fully understood that the life I experienced growing up was being threatened by over extraction of resources. I think if I had not discovered tracking I may have followed what the people around me were doing instead of following my heart. It is hard to say where I would have ended up because my life took so many turns, yet I was always led back to nature.

What do you think Gilbert Tatanka Mani saw in you that made him want to work with you?

Gilbert did not just mentor anyone who came along. Some people would visit searching for spirituality and he would remain silent. He had a way of knowing what stories and lessons to share at just the right moment. I think what he first saw in me was a passion for learning everything about nature and he admired that. At first he did not pay too much attention but taught me small things such as how to make prayer ties or a sacred song. When he would share something with me I would immediately take it on in my life and practice it daily. It was this dedication that he saw in me and led him to share more. When I would tell Gilbert what I learned and stories about my time in nature he would share more. This grew to a very deep spiritual relationship, one that I had not expected going in, yet emerged in the most natural way.

You kept extensive tracking journals that you were able to go back to in writing this memoir. What went through your mind as you pored over those?

I loved looking back at my old tracking journals. It was like peering back in time to the first discoveries of the stories that are all around us. The maps I drew immediately brought up vivid memories of the places I frequently tracked. I could almost smell the cottonwood buds and hear the rivers and feel the rocky sand beneath my feet.

What has tracking brought to your life?

Tracking has brought a deeper sense of my own connection to everything around me. It has also brought me a deeper connection to myself. When tracking an animal I put myself in the past, present and future in order to gain clues about the animal, what it was doing, where it was going, when it passed by and why the animal was moving the way it was moving. When I track I ask a lot of questions. These types of questions, who, what, when, where, why and how can be applied to anything in my life. Solving mysteries of tracking can convert to problem solving at my own ranch. Tracking also brought me a very keen sense of observation. While tracking I am constantly looking at the natural cycles around me to take in the bigger picture of the story. Now that I am practicing regenerative agriculture, that keen sense of observation has been key to making good decisions for our family and our land.

What did you learn about your own experiences in tracking, ranching, and raising a family by writing Dawn Again?

Writing Dawn Again provided me with a time to reflect. I think often times people do not take the time to do that in their lives and they may keep moving forward without learning the lessons from the past. Writing the book also gave me an opportunity to be thankful for the gifts I have been given. I felt so grateful for the lessons of nature, the mentors in my life and my family that have all shaped who I am and the outcome of what my life has become. Often when I was writing and thinking very hard about how to approach a chapter or a subject I would do research of things that were already written, but that did not give me the feeling that I was complete about my writing. What helped me to round out my stories of the past was when I walked outside and interacted with nature, or sat down and had a conversation about the subject with my husband, children or friends. One time I was writing a story about a coyote and I walked out my front door and a coyote was standing up on the ridge. When I was writing I was paying very close attention to everything around me, just like tracking I was looking into the past, present and future through all of my senses. What really came out when I was writing was the less tangible sense of instinct. I just got into a zone, like when I trail an animal. My fingers moved and not many thoughts went through my head as the words came on the screen.

See and hear more from Doniga Markegard here on the San Francisco Exploratorium website, where Doniga is part of a permanent exhibit called Listen.

will be published November 1, 2017. Our pre-sale is on now, through the summer. You can follow Doniga Markegard on Instagram to see nature through her eyes, and to glimpse some artifacts of her tracker past.

Come work with us!

May 26, 2017 ·

Spread the word: Propriometrics Press is seeking a marketing co-ordinator!

We’re looking for a US-based marketing whiz with at least 4 years’ experience in book marketing to work as our in-house marketing co-ordinator.
We’re a small but rapidly growing company and we’re in search of someone who’s excited about our message to create and execute complete marketing plans for our publishing programme.
This will include creating full marketing plans for each title, creating and placing ads, pitching media, booking events, running our social media platforms (Facebook, Instagram, Twitter), and more. You’ll work with our editorial, operations, and design teams, as well as our amazing authors.
We need someone with big-picture strategic capabilities as well as the ability to do the day-to-day work of implementing our plans.

• Work can be remote or in-office in Sequim, Washington. 20 hours a week: 8–12 PST Monday to Thursday, with four more hours when needed (occasionally weekends or evenings). As the company grows, these hours may increase.
• $30/hr

To apply: Please send us a cover letter and CV, as well as a sample full book marketing plan, either one you’ve created in the past, or for a book from our list. Send to [email protected]. Deadline is June 5, 2017.

Cover Story: Designing Dawn Again

May 16, 2017 ·

 

This fall, we’ll publish Dawn Again: Tracking the Wisdom of the Wild, by Doniga Markegard. It’s a riveting memoir of exploration and survival. As a young girl, Doniga Markegard was thrown from her horse and knocked unconscious. She remembers an out-of-body experience that revealed to her the great mystery at the heart of life. In Dawn Again, she writes of the journey that experience sparked.

At a wilderness immersion school, medicine people and wildlife trackers train her in indigenous ways. Her search for an authentic life takes her hitchhiking across the West and to Alaska, where she falls deeply in love with tracking wolves and the rigors of surviving in the wilderness.

 Doniga seeks a vision and discovers her purpose, only to find herself on a cattle ranch, falling in love and starting a family, and learning a new way to apply the deep, unshakeable lessons of the wild.

We’re really excited about this book and we knew it needed a really special cover. So we turned, as we do, to our incredibly talented designer, Zsofi Koller. She did not disappoint. We took the opportunity to chat with Zsofi about the cover for Dawn Again, and what went into making it.

How do you approach the design of a cover for a new book?

Book cover design is about making an intangible tangible. On one hand, there are endless options. ENDLESS. On the other hand, if you listen to what the book is about—and I mean, listen with ALL your senses—some ideas become clear tracks to follow. And I follow those tracks, and see what happens.

When I’m doing first cover design, the book itself might not be written fully yet, or I might not have access to the full manuscript. So I’ll often get a debrief from the editor or author about the WHAT of the book. Not just the what—also, the spirit and heart of it. And I’ll daydream about it, and I’ll go to the bookstore and roam around thinking about it, and I’ll look at approximately a billion things online to get ideas.

And eventually I start to pile together ideas from my mental toolbox, and often times visual cues from my teammates, and it starts to take shape. And then I run my first concepts by our team, and we take it from there.

You chose not to use a photograph for this cover. Why not?

Well, we did try that idea. Pretty cute, right? (We were still ironing out the subtitle at that point, too, it seems!)

But it wasn’t the right idea for this book. This book isn’t best expressed by a photo. There’s a side of introspection, of spiritual exploration, that is best captured by a slightly more evocative imagery. So the thought of a wolf that embodied a sunrise felt too perfect to not use.

 What were some of the particular challenges in designing this cover?

In total honesty, this cover didn’t feel like it had challenges. It came together pretty seamlessly. There were a lot of different iterations of sunrises and wolves though!

How do you know when you’ve landed on the right design?

When it makes someone on the team cry. And I can just feel it, too. When I come back and look at the design 24 hours later and still love it, I know it’s working. When I want to show it to my husband, it’s working. When I want to sweep everything into the garbage bin and keep working, it’s not right yet. And there’s really no short cut to the process. Sometimes it takes less time, or more time, but it’s always a process.

 What do you most like about this final design?

I love the colour palette. A lot of our covers tend to be quite bold, which I love as well, but I enjoy the softness of the greens, pinks, oranges, and cream in this cover. It certainly feels true to a glorious dawn. I’m also very fond of the fonts we landed upon. A good font for a book is a little gift that keeps giving. I’m so looking forward to the interior design—the pieces have been laid in play so nicely by the cover, it makes the whole design process flow smoothly.

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Design by Lilt Creative.